Saala Khadoos
Director- Sudha Kongara
Starring- Madhavan, Rikita Singh
Rating- 2
Saala Khadoos is a path breaking film.
The boxing coach is angry. Nobody knows why. But it makes sense. All the repression of emotions and feelings in Tanu-Manu saga will have to find an outlet you see. It works in Hindi films because anger means intensity. So he screams and shouts and fights. He has an evident paunch and yet body shames his female players. He even makes sexist comments. And all that is fair too. Because the director tells us, 20 years ago his coach had duped him out of a match. Oh telling is such an integral part of this film. I could almost see the invisible spoon feeding me everything. For instance the heroine’s father tells her, he is her father and that she should give him the money. Oh wow, what a family. Such lovely conversations. Dil Dhadakne Do should take a cue. Also towards the end, the jacket of a photographer covering the match reads- MEDIA. Thank you director. I would have never guessed.
The film has such a variety of characters.
Besides the human angry bird of a coach, his student is a refreshing change. She is a motor mouth and gareeb. Like very gareeb. Like she-sells-fish-and-stinks-kind-of-gareeb. But hey she is talented. I sat on the edge of my seat rooting for her to be spotted by the angry coach. And voila! She is. Such a twist in the tale I tell you.
Speaking of twists, the film even talks about things that are rarely seen in Hindi sports films; lazy government officials, sibling rivalry, politics. Gosh what a master piece this Saala Khadoos is.
Initially Angry Bird Coach and Ms. Blabber don’t get along but when they do, we witness an awe inspiring training that leaves us all with a lump in our throats and hernia between our legs. A montage of severe workouts then follows against a soul stirring song sung by (guess who??) Vishal Dadlani. Because sufi voices are meant only for romantic songs. It’s only rock stars like Vishal whose voice can motivate a generation to hit the gym, a gem rarely scene in Hindi films.
Now some of you might dare differ by mentioning films like Mary Kom and Bhag Milkha Bhag? Well I would just pretend you never said it and I never heard it.
Moving very swiftly along…
Ms. Blabber mouth then suddenly takes a shine on the human angry bird. It’s a Hindi film. We have a man, a woman. How on Earth can we not have a love story? The glory, the training, the matches…all that can wait, first let me squeeze the yin yang angle. So Madam Blabber becomes a babe. She cooks a fish-dish and looks a dish herself, slipping into a sari, ticking all boxing for one to fall in love. Her transformation from a fisher woman to a boxer to a Yashraj heroine is so fast, so fast that had the transformation been a car on Sheikh Zayed Road, it would have been flashed multiple times.
The beauty of Saala Khadoos is that it’s building to a finale that one can see from light years; a grand international match with a bad-ass Russian boxer who we all know will be biting the dust by the end of it. You see the writers have done such a fine job that the plot never comes as a shock to the viewers.
Madhavan has prepared so well for his role of a coach, like he has grown his hair and looks like that Hindi comic character called Billu.
He looks so dashing, like a model, displaying Hilfiger tees in every frame that his character could have been called Tommy instead of Adi.
PK succeeded Oh My God. Saala Khadoos succeeds Mary Kom, Chak De India and Hawa Hawai. That doesn’t make it a bad film, it’s just bad timing.
P.S- just wanted to check, have you guys heard of this word called- ‘sarcasm?’ #JustAsking
P.S.S- I have given it two stars because there is an interesting analogy of Genghis Khan and how it makes the climax bearable.